Can we imagine any other genius filmmaker
of Hollywood
who publicly calls his cinema ‘an artistic masturbation on screen’? With all
his eccentric, narcissist, hypochondriac, neurotic self that throws oxymoron and one liners, Woody Allen is still a darling man of Hollywood making cinema of his kind; an absolutely stress removing treat. Like most of his films, Woody
played himself here as Val Waxman, a filmmaker who got an offer to direct a
film after a decade long period and it came from his ex wife and his rich
financer fiancé. The film is about New
York City and who knows streets of NY better than
Woody! But at this very juncture he suddenly turned psychosomatically blind as
some strange way of God. He doesn’t want to lose the chance to regain his name
and fame as filmmaker and so he goes on directing the film on sets with his
blindness on, faking that he’s alright.
Hardcore Woody fans may find much
repetition in theme and plot with common traits of messed up marital
relationships, caricaturized characters, stretched up situations and over the
top drama but than even excess is fun to watch when there’s somebody unique
like Woody doing it on screen. It’s quite an average Woody but one can’t deny
his fine writing skills. The conversation on restaurant table between Woody’s
split self persona and his ex wife is just outrageous fun to watch. Can’t
resist sharing few lines here:
Ellie: Our marriage wasn’t going
anywhere.
Val: Where do you want it to go?
Where do marriages go? After a while they just lay there. That’s the thing
about marriage.
Ellie: We had sex. But we never
talked.
Val: Sex is better than talk. Ask
anybody in this bar. Talk is what you suffer through so you can get to sex.
Ratings-7/10
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