Aronofsky’s this film has texture of classical tragedy. Like those Greek or Shakespearean tragedies, it has element of hamartia- a protagonist blinded by ambition of perfection and on the other hand it represents world of fantasy where the clapping of audience comes with personal sacrifice. It’s not an easy character to carry; as it demands lot of practice playing perfect ballerina and on the other hand requires intense introspection. Without exaggeration it’s hard to see anyone except Natalie Portman. She is the muse born to play this part. Her metamorphosis from white to black swan is really heart wrenching one driven by ambition, jealousy, rivalry, hallucinations breaking her into physical-psychological trauma. Throughout the film Portman remains so effortlessly natural in expressions. She has only one guardian angel- her caring poor mother who finally witnesses in the climax how her sweet girl transformed into something so hostile. Along with so many others who’ve seen this, I must say that Portman is sure bet for this year’s Best Actress award. Supporting performances were impressive too and the amazing classical piano background by Clint Mansell surely deserved trophy.
Ratings-9/10
Ratings-9/10
3 comments:
heard a lot about this... gonna watch it soon!
Not much has changed with Portman.She was a class act in Leon as a 12 year old and now at almost 30, she is only getting better.
I see a definite Statuette in her hands this year!!
And as Aronofsky- he always comes out with gems.
Great work with the blog Hiren.You might have inspired me to do something similar :)
Keep it going!
Thanks Yashesh for words of appreciation and yes I keep my fingers crossed for Portman...she's really darling.
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